Snare 14×5.5inch, offram frake over Ash

If you’re anything like me, you’ve probably spent much time chasing that snare sound — something crisp, focused, and full of character, without all the extra ringing and tuning headaches. That’s exactly why I built this snare drum.

What makes it different? It’s a free-floating stave shell, which means the shell resonates freely without being choked by the hardware. The result? Less unwanted overtones, a cleaner sound, and way easier tuning. You don’t need to wrestle with it to make it sound good — it just does.

And here’s the cool part: even though it’s a free-floating design, I’ve built it using standard parts — tuning lugs, hoops, snare strainers — so everything feels familiar. No weird custom hardware that’s hard to replace or service. You can swap heads super fast, without touching the snare wires. It’s a practical design made for real players.

Every snare is handmade with care, with a variety of finishes and custom touches to make it truly yours. Whether you’re on stage, in the studio, or just jamming at home, this drum is built to perform — and I make sure it’s packed up safe and solid for the ride, too.

So if you’re looking for a snare that sounds great, tunes up easily, and feels like it was made for you, this might just be the one.

The snare fits in regular hard cases for 14-inch snares.

Sound qualities:
The response is direct when playing softly, and the sound is delicate with a great response of the wires.
When playing hard, the floating wooden shell gives loads of low end, and the metal outer shell provides the power of a metal snare drum.
The rimshot has depth and a lot of nuances, tone, and colour.
The overall sound is a mix between a wooden and a metal snare.
The sound and tuning will improve as you play.

14×5.5 inch
Offram Frake wood veneer over ash, 12mm thick.
Bearing edges are rounded on the outside and 45-degree angles on the inside.
Signature Trinity 12mm airholes.
Canapus 16-strand snare wire.